London Design Gold

2025

Roosevelt Ceramics Group Office Building

Entrant Company

Langsi Interior Design Co., Ltd

Category

Interior Design - Office 

Client's Name

Country / Region

China

The design team drew inspiration from the Roosevelt Ceramics Group’s "Eternal Dialogue of Earth and Fire" and transformed the philosophy of kiln-fired ceramics into a poetic spatial experience. The designers used a minimalist base color, like raw clay, as the canvas, and curved lines of glazing colors as the brush to outline a contemporary interpretation of ceramic art within a space that merges the real and the abstract. The space is like a piece of warm ceramic, carrying the bones of functionalism—open office areas flow smoothly like a pottery wheel, and the tea room becomes a comfortable corner with the lingering warmth of the kiln. At the same time, it encapsulates the brand spirit through its glazed details: the ceramic-textured walls at the corners subtly evoke craftsmanship, while the light and shadow gradients on the curved surfaces resemble the eternal moment of a kiln's transformation. Visitors moving through the space can feel the warmth of efficient collaboration while encountering the brand narrative through changing perspectives—perhaps a fleeting glimpse of "glaze red" at the end of a corridor, or the delicate ice-crack-like reflections on the glass partition of the meeting room. Langsi Interior Design ensures that every detail becomes a metaphor for earth and fire, continuing the millennia-old ceramic tradition in the contemporary office scene, like an ink-wash painting. The design team transforms the space into a three-dimensional poem of Roosevelt Ceramics, with every inch of texture telling the story of kiln-fired craftsmanship. The designer used ceramics crafted in the company’s kiln as ink, splashing it across the earth-and-sky walls—the floor extends like a glazed raw clay surface, while the walls present subtle cracks like crackled celadon. Even more impressively, they transcend the limitations of two dimensions, allowing ceramics to grow into three-dimensional poetic lines: either suspended as translucent cloud stone, or coiled into streamlined installations, performing the miracle of material rebirth in the interplay of light and shadow.

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