Between Boundaries, Perceiving One Another

Within a 112.4-m² residence, tasked with preserving a three-bedroom layout while amplifying the public domain, the design is anchored by ethos of spatial latitude. It embeds familial interaction intrinsically within the circulation. Through the deconstruction and reconstitution of the spatial skeleton, solid walls are eschewed in favor of implicit boundaries. A dual-loop circulation engenders a profound fluidity, modulating the threshold between openness and autonomy. This constructs a habitat where parents and children remain highly interconnected, perceiving one another amidst movement, yet effortlessly retaining the autonomy of privacy.



Originating from a bare structural shell, the design confronts a dominant transverse beam spanning the public area. Rather than resorting to obfuscation, it employs a strategy of integration. By articulating the horizontal axis, perimeter wall-washing illumination is seamlessly woven into the stratified ceiling. This not only conceals the return air diffusers within the interplay of light and shadow but also redirects the gaze horizontally.



Navigating the imperative to retain three bedrooms while expanding the communal sphere, one room is reinterpreted as a semi-open, polymorphic spatial node. Bilateral sliding doors orchestrate a flexible demarcation, allowing volume to oscillate freely between expansive openness and enclosed independence. When retracted, the window-side daybed serves not merely as a visual elongation but as a functional continuum bridging the living room and study, aligning reading, companionship, and play along a singular axis.



The secondary loop circulation defines nexus between study and living room. Flanking the media wall, dual passageways thread the living area, study, and culinary zones into a continuous annular flow. Notably, the half-height media wall is deliberately elevated by 20 centimeters to a height of 170 centimeters. This precision safeguards the acoustic and psychological privacy of the study while ensuring the porosity of sightlines and the permeation of light, visually consummating a boundless expanse within the public domain.



Foyer joinery and backdrop of study desk employ a detached articulation, introducing negative space between the volumetric masses and the structural walls to conjure an optical sensation of levitation.



The boundary ceases to be an obstruction; it becomes a calibrated distance.